Get all 61 INDRA releases available on Bandcamp and save 25%.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Special Edition - CD10 - KAMALATMIKA (2017), Archives Series - CD25 - PLATINUM five (2016), Archives Series - CD24 - PLATINUM four (2016), Archives Series - CD23 - PLATINUM three (2016), Archives Series - CD22 - PLATINUM two (2016), Archives Series - CD21 - PLATINUM one (2016), Archives Series - CD20 - DIAMOND five (2015), Archives Series - CD19 - DIAMOND four (2015), and 53 more.
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Passion Around
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Deus Magnificent
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INDRA Bucharest, Romania
INDRA
“Music can be a truly magical element, provided it is sublimely conceived in a
spirit of pure, profound and harmonious ideas.”
The music of INDRA is remarkable for its well realised construction, smart nuances, lack of monotony – which in many cases crowns electronic music -, carrying also its own unmistakable imprint.
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supported by 6 fans who also own “COLOSSEUM (1994)”
Some of the most exciting Berlin School electronic music I've heard in recent decades, and this is my favorite. On a par with Michael Hoenig's classic Departure From the Northern Wasteland. Check out the Mixcloud program built around this album. (Love the title's, too!) https://www.mixcloud.com/lowlight/in-sequencer-euphoria-by-paul-asbury-seaman/
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Purple
by Broekhuis, Keller & Schönwälder
supported by 5 fans who also own “COLOSSEUM (1994)”
And again a great work of modern electronic Berlin School music. BK&S are painting with the synths and this is purple.
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supported by 5 fans who also own “COLOSSEUM (1994)”
This ranks amongst the 'pantheon' of Berlin School sequencing. You'll hear this at the pearly gates!!
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A majestic yet delicate album from Berlin school-style synth masters Node, recorded in 1994 but unreleased until now.
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Hushed and lovely electronic music from this Washington musician with a stateliness that borders on classical composition.
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Atmospheric downtempo electronica with gauzy, rippling synths laid atop gentle, pillowy rhythms.
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supported by 5 fans who also own “COLOSSEUM (1994)”
my comment from the previous AMIRA album also fully applies for this album: Long tracks that inevitably provoke memories - and just the best ones! - of some of the most intriguing Klaus Schulze albums decades earlier. Here in a fresh, modernized yet enigmatic sound.
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